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beatpie:

RABARI RUGS
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archatlas:

Why Not Hand Over a “Shelter” to Hermit Crabs? Aki Inomata
"In this piece I gave hermit crabs shelters that I had made for them, and if they liked my shelters, they made their shells in them. My idea for this piece first came about when I participated in the “No Man’s land” exhibition that was held in the French Embassy in Japan in 2009. This work is inspired by the fact that the land of the former French Embassy in Japan had been French until October 2009, and became Japanese for the following fifty years, before being returned to France. The same piece of land is peacefully transferred from one country to the other. These kinds of things take place without our being aware of it. On the other hand, similar events are not unrelated to us as individuals. For example, acquiring nationality, moving, and migration. The hermit crabs wearing the shelters I built for them, which imitate the architecture of various countries, appeared to be crossing various national borders. Though the body of the hermit crab is the same, according to the shell it is wearing, its appearance changes completely. It’s as if they were asking, “Who are you?””
archatlas:

Why Not Hand Over a “Shelter” to Hermit Crabs? Aki Inomata
"In this piece I gave hermit crabs shelters that I had made for them, and if they liked my shelters, they made their shells in them. My idea for this piece first came about when I participated in the “No Man’s land” exhibition that was held in the French Embassy in Japan in 2009. This work is inspired by the fact that the land of the former French Embassy in Japan had been French until October 2009, and became Japanese for the following fifty years, before being returned to France. The same piece of land is peacefully transferred from one country to the other. These kinds of things take place without our being aware of it. On the other hand, similar events are not unrelated to us as individuals. For example, acquiring nationality, moving, and migration. The hermit crabs wearing the shelters I built for them, which imitate the architecture of various countries, appeared to be crossing various national borders. Though the body of the hermit crab is the same, according to the shell it is wearing, its appearance changes completely. It’s as if they were asking, “Who are you?””
archatlas:

Why Not Hand Over a “Shelter” to Hermit Crabs? Aki Inomata
"In this piece I gave hermit crabs shelters that I had made for them, and if they liked my shelters, they made their shells in them. My idea for this piece first came about when I participated in the “No Man’s land” exhibition that was held in the French Embassy in Japan in 2009. This work is inspired by the fact that the land of the former French Embassy in Japan had been French until October 2009, and became Japanese for the following fifty years, before being returned to France. The same piece of land is peacefully transferred from one country to the other. These kinds of things take place without our being aware of it. On the other hand, similar events are not unrelated to us as individuals. For example, acquiring nationality, moving, and migration. The hermit crabs wearing the shelters I built for them, which imitate the architecture of various countries, appeared to be crossing various national borders. Though the body of the hermit crab is the same, according to the shell it is wearing, its appearance changes completely. It’s as if they were asking, “Who are you?””
archatlas:

Why Not Hand Over a “Shelter” to Hermit Crabs? Aki Inomata
"In this piece I gave hermit crabs shelters that I had made for them, and if they liked my shelters, they made their shells in them. My idea for this piece first came about when I participated in the “No Man’s land” exhibition that was held in the French Embassy in Japan in 2009. This work is inspired by the fact that the land of the former French Embassy in Japan had been French until October 2009, and became Japanese for the following fifty years, before being returned to France. The same piece of land is peacefully transferred from one country to the other. These kinds of things take place without our being aware of it. On the other hand, similar events are not unrelated to us as individuals. For example, acquiring nationality, moving, and migration. The hermit crabs wearing the shelters I built for them, which imitate the architecture of various countries, appeared to be crossing various national borders. Though the body of the hermit crab is the same, according to the shell it is wearing, its appearance changes completely. It’s as if they were asking, “Who are you?””
archatlas:

Why Not Hand Over a “Shelter” to Hermit Crabs? Aki Inomata
"In this piece I gave hermit crabs shelters that I had made for them, and if they liked my shelters, they made their shells in them. My idea for this piece first came about when I participated in the “No Man’s land” exhibition that was held in the French Embassy in Japan in 2009. This work is inspired by the fact that the land of the former French Embassy in Japan had been French until October 2009, and became Japanese for the following fifty years, before being returned to France. The same piece of land is peacefully transferred from one country to the other. These kinds of things take place without our being aware of it. On the other hand, similar events are not unrelated to us as individuals. For example, acquiring nationality, moving, and migration. The hermit crabs wearing the shelters I built for them, which imitate the architecture of various countries, appeared to be crossing various national borders. Though the body of the hermit crab is the same, according to the shell it is wearing, its appearance changes completely. It’s as if they were asking, “Who are you?””
archatlas:

Why Not Hand Over a “Shelter” to Hermit Crabs? Aki Inomata
"In this piece I gave hermit crabs shelters that I had made for them, and if they liked my shelters, they made their shells in them. My idea for this piece first came about when I participated in the “No Man’s land” exhibition that was held in the French Embassy in Japan in 2009. This work is inspired by the fact that the land of the former French Embassy in Japan had been French until October 2009, and became Japanese for the following fifty years, before being returned to France. The same piece of land is peacefully transferred from one country to the other. These kinds of things take place without our being aware of it. On the other hand, similar events are not unrelated to us as individuals. For example, acquiring nationality, moving, and migration. The hermit crabs wearing the shelters I built for them, which imitate the architecture of various countries, appeared to be crossing various national borders. Though the body of the hermit crab is the same, according to the shell it is wearing, its appearance changes completely. It’s as if they were asking, “Who are you?””
archatlas:

Why Not Hand Over a “Shelter” to Hermit Crabs? Aki Inomata
"In this piece I gave hermit crabs shelters that I had made for them, and if they liked my shelters, they made their shells in them. My idea for this piece first came about when I participated in the “No Man’s land” exhibition that was held in the French Embassy in Japan in 2009. This work is inspired by the fact that the land of the former French Embassy in Japan had been French until October 2009, and became Japanese for the following fifty years, before being returned to France. The same piece of land is peacefully transferred from one country to the other. These kinds of things take place without our being aware of it. On the other hand, similar events are not unrelated to us as individuals. For example, acquiring nationality, moving, and migration. The hermit crabs wearing the shelters I built for them, which imitate the architecture of various countries, appeared to be crossing various national borders. Though the body of the hermit crab is the same, according to the shell it is wearing, its appearance changes completely. It’s as if they were asking, “Who are you?””
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'Everything is Worthless Again' by Gwen Cunningham (graduate from The National College of Art and Design in Dublin)
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darksilenceinsuburbia:

Pavel Wolberg
Tribal Body Decoration Suri


Website
darksilenceinsuburbia:

Pavel Wolberg
Tribal Body Decoration Suri


Website
darksilenceinsuburbia:

Pavel Wolberg
Tribal Body Decoration Suri


Website
darksilenceinsuburbia:

Pavel Wolberg
Tribal Body Decoration Suri


Website
darksilenceinsuburbia:

Pavel Wolberg
Tribal Body Decoration Suri


Website
darksilenceinsuburbia:

Pavel Wolberg
Tribal Body Decoration Suri


Website
darksilenceinsuburbia:

Pavel Wolberg
Tribal Body Decoration Suri


Website
darksilenceinsuburbia:

Pavel Wolberg
Tribal Body Decoration Suri


Website
darksilenceinsuburbia:

Pavel Wolberg
Tribal Body Decoration Suri


Website
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sharoma:

Factory Cassette Boxes I
sharoma:

Factory Cassette Boxes I
sharoma:

Factory Cassette Boxes I
sharoma:

Factory Cassette Boxes I
sharoma:

Factory Cassette Boxes I
sharoma:

Factory Cassette Boxes I
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iamjapanese:

 Keigetsu Matsubayashi(松林桂月 Japanese, 1876-1963)
Shunsho-Kaei 2 春宵花影図 2  1939
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hysysk:

Zabriskie Point - Jessica Svendsen
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maskdeuh:

CASOS de INSOLITO - Mexican Deformities Comics.
maskdeuh:

CASOS de INSOLITO - Mexican Deformities Comics.
maskdeuh:

CASOS de INSOLITO - Mexican Deformities Comics.
maskdeuh:

CASOS de INSOLITO - Mexican Deformities Comics.
maskdeuh:

CASOS de INSOLITO - Mexican Deformities Comics.
maskdeuh:

CASOS de INSOLITO - Mexican Deformities Comics.
maskdeuh:

CASOS de INSOLITO - Mexican Deformities Comics.
maskdeuh:

CASOS de INSOLITO - Mexican Deformities Comics.
maskdeuh:

CASOS de INSOLITO - Mexican Deformities Comics.
maskdeuh:

CASOS de INSOLITO - Mexican Deformities Comics.
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hol-on:

Foundations of Modern Art on Flickr.
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magictransistor:

M. Clavdii Paradini, Symbola Heroica, 1583.